Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
| Created: | 2014-04-14 11:44 |
|---|---|
| Institution: | Centre for Research in the Arts, Social Sciences and Humanities |
| Editors' group: | Editors group for "Centre for Research in the Arts, Social Sciences and Humanities". |
| Description: | Over the past two decades, digital technologies have fundamentally altered the ways that musical and audiovisual media are created, circulated and received. As musical and audiovisual content has been made available in multiple formats through a variety of media platforms, there has been a multifaceted convergence of visual and sonic media, of production and consumption, and of corporate and grassroots artistic endeavours. Creators, promoters and audiences have responded in a variety of ways to the new challenges and opportunities. And, at the same times as media industries’ adaptive strategies are shifting users’ expectations and experience of audio-visual content, participatory use is constantly stretching and testing the legal frameworks of copyright law.
The Conference ‘Creativity, Circulation and Copyright’ aims to further interdisciplinary discussion of the relationship between the aesthetics, ethics and legal implications of new digital technologies through exploring several themes relating to the ways musical and audiovisual media are created, received and interpreted in the digital age. Invited speakers: Martin Scherzinger (New York University), John Richardson (University of Turku), Kiri Miller (Brown University), Anahid Kassabian (University of Liverpool), Lionel Bently (University of Cambridge), Ananay Aguilar (University of Cambridge). |
Media items
This collection contains 8 media items.
Media items
Anahid Kassabian (University of Liverpool): ‘Where does it go?!? YouTube, Stupid Games, and Time’
54 views
In this paper, I will begin to theorise how small units of culture, such as the run-of-the-mill 3-5 minute uploaded video (which is suspiciously like the ‘required’ length of a...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014
Ananay Aguilar (University of Cambridge): The Value of Performance in Law: Performers’ Rights and Creativity
37 views
British copyright law has been criticised for privileging musical elements and practices that have been important in the conceptualisation of classical music, above those which...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014
John Richardson (University of Turku): Closer Reading of Musical Sounds in the Digital Age
51 views
In this paper I review uses and definitions of close reading in music research and bordering fields in the context of contemporary digital culture. I argue that close reading...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014
Lionel Bently (University of Cambridge): De-naturalizing Musical Authorship
21 views
Determinations of who counts as an ‘author’ of a musical work has a number of legal consequences. Most obviously, it governs who count as the first owners of copyright, and thus...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014
Martin Scherzinger (New York University): Authors or Commons? Neither, but Both!
32 views
The reach of private property rights, it seems, is widening. Over the last two decades, scholars in a variety of disciplines have tackled the impact of IP law on practices of...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014
Monique Ingalls (University of Cambridge): Worship on Screen: Congregational Singing, Digital Devotional Images, and...
85 views
Social media platforms such as YouTube have enabled music, images, and religious devotional practices to become conjoined in new and complex ways. This paper uses internet...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014
Nicholas Cook (University of Cambridge) : Second Liveness
34 views
Concerts in Second Life generally aim to reproduce the conditions of live music in real-world venues. The music itself, however, is made in the real word and streamed into Second...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014
Peter Webb (Cambridge): The Future of Remix Culture and Creativity in the Music Industry
50 views
Lawrence Lessig set out to chart the hope and promise of the Internet in `The Future of Ideas’ where he discussed different contexts for understanding the Internet as a `commons’...
Collection: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age
Institution: Centre for Research in the Arts, Social Sciences and Humanities
Created: Mon 14 Apr 2014